About Kiliii Yuyan

Posts by Kiliii Yuyan:

Living Wild: Presenting Stone-Age Living at PIX2015

Living Wild documents a group of 21st century hunter-gatherers who are rediscovering the traditional living skills of the Paleolithic. I gave a presentation on this multi-year documentary project for National Geographic at DPreview’s Photo Interactive Expo 2015. It was a fabulous experience and I had the opportunity to share the stage with some of my heroes, including Aaron Huey, Cristina Mittermier and Joe McNally. More if you click through.
*Note, the YouTube link above is the ‘quick’ version and will be replaced by the final edited version. If it doesn’t work, try http://www.pix2015.com/videos.

(more…)

Scavenging Guatemala

GUAT-1

Scavenging Guatemala began as an accident. In March 2015, I was working Glen Cooper, Photojournalism Director of the New England School of Photography. He had asked me join and help instruct at a workshop in Guatemala, where American photographers worked on documentary stories for 10 days. Since it was my first time teaching in a workshop, I anticipated that I wouldn’t have any more than a few hours to shoot my own work. But the truth is, in documentary photography, much of the work happens without a camera in your hands…

(more…)

Communication Arts 2015 Winner

A rare lightning storm over recent lava flows on Hawaii

A rare lightning storm over recent lava flows on Hawaii

Folks, I’m humbled to announce that Communication Arts has chosen my lightning image from the Pahoehoe Lava flows in Hawaii for their 2015 Photo Annual. If you’re a subscriber to CommArts, here’s a link to the Photo Annual.

CA Annual Header

Many thanks to my partner stock agency Aurora Photos and Larry Westler for submitting the image and for their enthusiasm at supporting my adventures everywhere!

Arctic Autumn

While on assignment in Iceland last October-November, I took the time to shoot some footage of the bleak yet beautiful landscapes of the arctic. Being here in the autumn is taxing physically– the climate vacillates around freezing but the rain/sleet is constant and the wind whips across this treeless land at 25mph without a break.

Nonetheless, I hope you get a feeling for the starkness of the treeless tundra, a land of arctic foxes and lichens, volcanoes and the dancing of the Aurora.


Remember to click HD on the video to see it in HD!

Feature in Au Magazine

Au-Kiliii-Feature

Au Magazine is Aurora Photo‘s quarterly publication, an amazing collection of shots by the best in adventure and stock photography. This quarter I’m humbled to be among the featured photographers alongside some amazing talents, covering combat photography to fine art. I’m also sad to say goodbye to longtime Aurora Director of Photography Peter Dennen, who has with this final issue moved into photo consulting with Pedro+Jackie.

Personal work featured on Monica Suder’s column for World Photo Organisation

Photo consultant and former photo editor of such publications as Rolling Stone, Monica Suder, has started a new column for the World Photography Organisation. This month Monica wrote extensively about the necessity of personal work for jumpstarting a photo career and featured my work on the NATIVE series as well as my shot of Amanda Clark climbing at Smith Rock, OR. Check out the article!

Jose Amoedo, Archer

 

NATIVE: Portraits of modern Indigenous, Siberia to Oregon.

120505-WRN_CHEMAWA-0141-Edit

To be native in the year 2012 is to be modern. As a whole, we are both modern and traditional, full of culture and spirit passed down from many generations, but seeking to live in this new world and embrace it.

I began the NATIVE project, taking portraits of modern indigenous people last spring, not knowing it would evolve into a huge undertaking. It’s taken me from the cold interiors of traditional houses in Alaska to the bright summery forests of Oregon. I’ve learned so much about what it means to be a modern traditionalist native myself, as well as more about all the diversity that surrounds native attitudes from the big city to the remote village.

There’s so much to say about this kind of portraiture, steeped in sepia tones and shot with artificial light, but I’ll let you, the viewer, have the fun of diving in yourself. Thanks for letting me share.

Many thanks to the NW Portland Indian Health Board, the Alaska Native Heritage Center, and Daybreak Star Cultural Center for their help in making these portraits.