Jen Samuel, a photo editor at National Geographic, and NatGeo photographer Kiliii Yuyan talk about the process of making photographs, researching and pitching stories, the editor-photographer relationship, and more. Filmed at the Museum of Art Fort Collins, CO, in conjunction with Yuyan’s exhibition “People of the Whale”, and National Geographic’s 50 Greatest Photographs, made possible by the Center for Fine Art Photography.
A big thank you to Jen Samuel for flying out to Colorado to talk with me at the opening of my exhibition, People of the Whale, at theMuseum of Art Fort Collins. Additional thanks to Hamidah Glasgow of the Center for Fine Art Photography and Lisa Palmatier of the Museum.
My work serves as a counterpoint to the other half of the museum, which has an exhibition titled, “50 Greatest Photographs of National Geographic.” Curator Hamidah Glasgow thought it would be a great way to show, in a sense, the fading mainstream world of photojournalism juxtaposed against the new breed of photographer that is seeking to de-colonize journalism. In this case, it also serves to highlight that National Geographic itself has made big changes to how it tells stories and who is telling them.
Opening & Talks, Friday Nov 8th
The opening reception is Friday, November 8th. I’ll be doing an artist talk about my work with Arctic indigenous peoples, then leading up to something quite amazing: Jen Samuel, a photo editor from National Geographic, and I, asking each other questions and talking about photography and journalism!
Many thanks to Hamidah Glasgow and Jen Samuel for making it all come together!
Excited to announce I’m running a Drone Storytelling Workshop at Photo Center NW, Seattle, Oct 26-27. It wasn’t long ago that drones, or UAVs, came onto the scene, and we began seeing the same photos from directly above, of a beach or a forest canopy. Let’s move beyond! Today UAVs, are best thought of as flying lenses. While you can get epic landscapes with them, you can also use them to get to a human height over difficult places. Master the technical details and you can widen your ability to tell phenomenal stories.
UAVs seem simple, but they are dangerous to aircraft, and pose ethical issues with wildlife and people. How do you fly in zones near rural airports? How can you use them to build relationships with people rather than conflict? How can they improve your photographic stories? Join us October 26-27 in Seattle, at Photo Center NW.
Light Atlas Creative is a mentorship program with Laura Valenti to help photographers transform their vision and lead vibrant, skillful, wholehearted creative lives.
She teaches teaches richly interactive online courses, works with emerging photographers, present lectures to photo groups, and curates exhibitions for galleries and festivals around the world.
I believe a documentary photographer is a journalist first, and an artist second.
I spoke to her after being introduced through Critical Mass, where she was a juror, and we connected well. Laura is a terrific interviewer and asks questions that draw out a lot about photography underneath the surface. I spoke to her about finding one’s unique vision of the world, and what makes photojournalism work for me.
Why framing a shot and clicking the shutter is least important part of taking a photograph.
Why photojournalism is not being a fly-on-the-wall
How to fund your long-term photography projects
Avoiding preconceived notions in your work
Why your personal identity is crucial for your photographic vision
Why publication alone should not be the final goal
Scavenging Guatemala began as an accident. In March 2015, I was working Glen Cooper, Photojournalism Director of the New England School of Photography. He had asked me join and help instruct at a workshop in Guatemala, where American photographers worked on documentary stories for 10 days. Since it was my first time teaching in a workshop, I anticipated that I wouldn’t have any more than a few hours to shoot my own work. But the truth is, in documentary photography, much of the work happens without a camera in your hands…