Scavenging Guatemala began as an accident. In March 2015, I was working Glen Cooper, Photojournalism Director of the New England School of Photography. He had asked me join and help instruct at a workshop in Guatemala, where American photographers worked on documentary stories for 10 days. Since it was my first time teaching in a workshop, I anticipated that I wouldn’t have any more than a few hours to shoot my own work. But the truth is, in documentary photography, much of the work happens without a camera in your hands…
Folks, I’m humbled to announce that Communication Arts has chosen my lightning image from the Pahoehoe Lava flows in Hawaii for their 2015 Photo Annual. If you’re a subscriber to CommArts, here’s a link to the Photo Annual.
Hi folks, I just returned from a couple of exhilarating weeks in the Elkhorn Slough, near Monterey, CA. I spent the time there with conservation biologists, farmers, bird watchers, leopard sharks, and of course– sea otters! Here’s a behind the scenes peek of this shoot for the Nature Conservancy.
While on assignment in Iceland last October-November, I took the time to shoot some footage of the bleak yet beautiful landscapes of the arctic. Being here in the autumn is taxing physically– the climate vacillates around freezing but the rain/sleet is constant and the wind whips across this treeless land at 25mph without a break.
Nonetheless, I hope you get a feeling for the starkness of the treeless tundra, a land of arctic foxes and lichens, volcanoes and the dancing of the Aurora.
Remember to click HD on the video to see it in HD!
Au Magazine is Aurora Photo‘s quarterly publication, an amazing collection of shots by the best in adventure and stock photography. This quarter I’m humbled to be among the featured photographers alongside some amazing talents, covering combat photography to fine art. I’m also sad to say goodbye to longtime Aurora Director of Photography Peter Dennen, who has with this final issue moved into photo consulting with Pedro+Jackie.
Photo consultant and former photo editor of such publications as Rolling Stone, Monica Suder, has started a new column for the World Photography Organisation. This month Monica wrote extensively about the necessity of personal work for jumpstarting a photo career and featured my work on the NATIVE series as well as my shot of Amanda Clark climbing at Smith Rock, OR. Check out the article!
Native artist Louie Gong, who runs 8thgen, was featured on the cover of Native Peoples this month. We did this shoot a year ago and Louie still looks good, with his hybrid street art/nw coast/asian style on a skateboard deck. I still don’t have a copy yet so here’s what Louie texted me.
This last year I traveled extensively around the North Pacific rim to photograph indigenous people I call ‘modern traditionalists’. Here’s a behind the scenes look at all the amazing people and places and the stories I found along the way.
To be native in the year 2012 is to be modern. As a whole, we are both modern and traditional, full of culture and spirit passed down from many generations, but seeking to live in this new world and embrace it.
I began the NATIVE project, taking portraits of modern indigenous people last spring, not knowing it would evolve into a huge undertaking. It’s taken me from the cold interiors of traditional houses in Alaska to the bright summery forests of Oregon. I’ve learned so much about what it means to be a modern traditionalist native myself, as well as more about all the diversity that surrounds native attitudes from the big city to the remote village.
There’s so much to say about this kind of portraiture, steeped in sepia tones and shot with artificial light, but I’ll let you, the viewer, have the fun of diving in yourself. Thanks for letting me share.
Many thanks to the NW Portland Indian Health Board, the Alaska Native Heritage Center, and Daybreak Star Cultural Center for their help in making these portraits.