Jen Samuel, a photo editor at National Geographic, and NatGeo photographer Kiliii Yuyan talk about the process of making photographs, researching and pitching stories, the editor-photographer relationship, and more. Filmed at the Museum of Art Fort Collins, CO, in conjunction with Yuyan’s exhibition “People of the Whale”, and National Geographic’s 50 Greatest Photographs, made possible by the Center for Fine Art Photography.
A big thank you to Jen Samuel for flying out to Colorado to talk with me at the opening of my exhibition, People of the Whale, at theMuseum of Art Fort Collins. Additional thanks to Hamidah Glasgow of the Center for Fine Art Photography and Lisa Palmatier of the Museum.
The Guardian has long been a bastion of news about global indigenous issues. I’m pleased to say I worked with editor Jehan Jillani on a story on modern Iñupiaq culture and traditional whaling. It’s not easy to do a story on something as ostensibly controversial as whaling, but the Guardian understands the big difference between commercial and indigenous whaling. I hope it’s an opportunity for their readers to see the history of systematic oppression of the indigenous perspective.
By 2011, the Iñupiaq had quadrupled the population of the bowhead, while hunting them for subsistence. The story of the Iñupiaq is a vision of successful conservation using indigenous knowledge.
I’m excited to announce my first story in National Geographic Magazine (in print) is out! A great big quyanaq to all of my Utqiagvik friends that made it possible, and for inviting me into your lives. This issue focuses on stories from all around Native America and it’s a great moment for it. Thanks to my fabulous editors Julie Hau and Jennifer Samuel.
We still don’t tell accurate histories of our country and we still don’t frame the United States as a country built on stolen land,” she said. “So as we try to repair these narratives, they can’t just be told from outside perspectives. They have to be told from an inside viewpoint as well.
There are few indigenous peoples in media, and few opportunities for indigenous artists. Today we seek to change that with this Database of Native photographers. Special thanks to Josué Rivas and Daniella Zalcman for their dedication and hard work in creating this.
As I work on indigenous issues a photojournalist, I find myself increasingly working as both a writer and a photographer. The issues surrounding indigenous rights and ecology are rich and complex– it is the combination of images and words that tell the most powerful stories.
Today the world’s 300 million Indigenous people live in every inhabitable biome on earth, some of whom inhabit territories with the highest levels of biodiversity. Remarkably, the regions of greatest biological richness are often strongly correlated through their high diversity of human cultures, and many of those are often Indigenous cultures.
Many thanks to the inestimable Nejma Bellarbi of Voices for Biodiversity for entreating me to tackle this story and for great conversations as an editor.
People of the Whale, my series on the Iñupiaq culture of the Alaskan Arctic, has been published in print internationally but hasn’t been accessible in an online form. I’m excited that it’s now published on Topic.com, an online magazine with innovative storytelling. The story comes to life with animated gifs and an excellent layout thanks to editor Caroline Smith.
This version of the story gets into more depth on the the cultural importance of whaling but also how climate change is affecting the lives and traditions of the Iñupiaq.
I’m more than happy to contribute to that understanding, especially to help people understand the attitude Americans have toward the land. You can see more of Living Wild, but if you want to pickup the America magazine, you’ll have to get it in print.
Cover stories about Living Wild in the Stone Age, with National Geographic Traveler China and Coast Mountain Culture (Canada).
2017 In Review:
NatGeo China, PDN, LensCulture
As I reflect on a tumultuous 2017, I try to remember that the stories I’ve worked on will outlast this one moment in time. It has been a breakout year for this emerging photographer, with awards and cover stories, yet my favorite memories have all been when I’ve stood in the middle of nowhere, far from any internet connection, surrounded by timeless human community. –Kiliii Yüyan
As a long-form documentary photographer, I often don’t see my work come into publication for many years. This December though, it seems that it has all landed at once– My work with the Living Wild project is on the cover of November issue of National Geographic Traveller China, and I have two additional features in the December issue.
December’s issue covers the Iñupiaq relationship to the Arctic Ocean, and includes a feature on my work in the collection of “Greatest Photographs of 2017”.
It is my hope that the indigenous perspective opens eyes in China, where it is generally unknown. Nonetheless, millions of indigenous peoples live in China, and their stories are the stories of Native peoples everywhere: Land is life.